![]() More than 50% and you should look at the Mini. Grading time (excluding scene cut detection, exports, and quality-control checks) took roughly a day for each region (one hour of content).Īs I previously wrote, if you are an editor/colorist and grade in Resolve less than 50% of the time, then the Micro is probably the right choice. In total, there were over 5700 clips across the 11 hours. Grading had to get done as quickly as possible. Although the amount of footage was comparable to several feature films, the budget and delivery times weren’t. In order to be consistent and efficient, we opted to run this through Resolve for the final look, instead of tackling it with Lumetri tweaks in Premiere Pro. The source footage came from a wide range of sources, cameras, and file formats, along with some additional stock footage. These blocks represented ten worldwide travel regions, plus an hour of sunrises and sunsets. We created 11 hours of edited content (Premiere Pro), that is split into 22 30-minute blocks, set to music. This project involved building new presentations for their shipboard sales centers. Over the years, the company has accumulated and curated quite a lot of B-roll footage from destinations all around the globe. ![]() We service a major international cruise line with creative content used for marketing, corporate communications, shipboard videos, social media, and travel-related entertainment content. I was fortunate to get the production company I work with to purchase the Micro panel. On a recent a grading project the thought of doing it all with a mouse seemed taxing to me.
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